CRUX GALERIE / SEKERI 4, Athens 106 74
OPENING: 26/9/2024, 19:00, Duration: 26/9/2024 – 16/11/2024

Curated by Dr. Katerina Koskina

Για ελληνικά 🇬🇷 κάντε κλικ ΕΔΩ

I Am Blood constitues the first a solo presentation of Jan Fabre in Athens. Curated by art historian and curator Dr. Katerina Koskina, a long-standing collaborator of the artist, it exhibition features a selection of Fabre’s latest mosaic artworks, where his appreciation of the ancient techniques is exquisitely revealed.
The I Am Blood series, comprises 24-karat gold tiles and smalti mosaics. Jan Fabre, renowned for his “Renaissance approach”, intertwines art, literature, theatre, dance and music with mythology, fairy tales, craftsmanship and science. This series visually reinterprets the themes of Fabre’s iconic performance, Je suis sang, originally commissioned by the 55th Festival d’Avignon for the Cour d’Honneur in 2001, which was exceptionally re-performed in the same festival in 2005. Presented as a medieval poem written and brought to life through direction, choreography and scenography, by Fabre himself, the performance left an indelible mark on the art world with its profound focus on the fundamental component of human existence — blood. The exhibition at Crux Galerie is enriched by a number of HB pencil and blood drawings on paper, created in 2005, when Je suis sang was travelling in other cities and festivals. Two decades later, during the pandemic, the artist revisited this thematic framework and created a new series using exclusively the technique of mosaic. The works stand out for their minimalist aesthetic, in terms of colour (mainly gold) and form, and are a unique expression of the artist’s multi-dimensional creativity. Through this recent body of works, Fabre continues to challenge, inspire and move, bringing out beauty through the simplicity and timelessness of forms, while honouring ancient techniques.

“Mosaic was used for centuries as a record, a chronicle of stories. Myths, scenes of glory, death or love, sports and feats, everyday objects and habits, images from the living world of land, water and sky, but also religious images and others from the realms of science and imagination. Mosaic has been used to register all these, retaining unaltered for centuries the spirit, the fascination and the truth of their time, as well as their symbolic power.”

Katerina Koskina, excerpt from her essay of the Jan Fabre, MOSAICS, Nov 2023, Edizioni
Forma, Florence Italy.

PRESS RELEASE